Assignment 4
Champell page 180
Questions 1, 2, 4, 5
Question 1) Who was your first favourite group or singer? How old were you at the time? What was important to you about this music?
When I was around ten or eleven years old my best friend started to introduce me to music by burning me CDs with songs by his favourite artists on a regular basis. I then listened to those, thereby consuming mostly mainstream music that went up and down the popular radio stations at that time. Doing so I never really fell for a certain artist, although having a lot of posters of singers such as Pink, Christina Aguilera or what have you in my room, I never considered myself to be a real fan of those people.
My first real love for a band then developed when I was around 15, which was also the time when I met my first boyfriend. He, being a big fan of the Swedish band Mando Diao (and curiously enough looking like one of the band’s two singers), introduced me to their music and set the basis for me buying my first ever record. Ode to Ochrasy, their third album is still one of my favourite records of all time, simply because the songs on it carry so many memories. But not only the songs on this album, also the ones on the others…, yes, I bought them all, one after the other. Listening to Mando Diao songs now triggers a string of thoughts about my girlfriends and me (being a pack of girls with an obsession for Sweden and Swedish people) singing their songs, whilst eating salmon and pretending to be on tour with the band. Mando Diao, at that time, was everywhere. My friend Lena, who is a good painter, made a life-sized painting of Gustaf (one singer) and gave it to Sara for her birthday and I, after having been lent a Mando Diao shirt by my then boyfriend, held a presentation on the band, more enthused about a topic than ever before. For my 16th birthday I then got a picture which I’d really like to share with the world:
Like I said, we were obsessed. When Lena and I finally got to see Mando Diao live at a festival in 2009, the legend of Mando Diao was perfect. Even when they have now lost the Indie image that initially made me like them, and became commercially successful with their record Give Me Fire, I will still always like them, and will always enjoy listening to their music. Actually, I wrote a kind of a review to their latest album on a blog that friends of mine and I have. Although it is in German, it really nicely describes why I love this band so much. (Here’s the link in case you’re interested: http://kopfregie.wordpress.com/2013/02/10/mando-diao-haben-ein-neues-album-infruset-heist-es-und-es-ist-auf-schwedisch-ein-neues-album-auf-schwedisch-schwedisch/ )
Question 2) If you ran a non-commercial campus radio station, what kind of music would you play and why?
I guess I would certainly play music aloof from mainstream. My idols in music style would certainly be the Austrian alternative radio station FM4 and the private online radio station byteFM. This means that I would play a mix of various musical genres, not focusing on one particular type of music. By doing so I would take care that I created a balanced blend between known artists in the scene and musicians who are yet unknown, in order to keep my station free of repetition. I would like it to be a tool for finding new fresh music, but at the same time, it should initialize and present familiar sounds (but, as I said, not played too frequently). The important thing is that – by playing music from literally all genres – I would like to help listeners through their days. The music I play should be relaxing and uplifting at the same time, as well as a bit demanding, making listening to my station an adventure every single day.
Question 4) Is it healthy for or detrimental to the music business that so much of the recording industry is controlled by four large international companies? Explain.
Speaking from human experience, oligarchy has never been considered to be a positive thing and therefore, it cannot be a good thing for the music business either. First of all, also independent artists have to act upon a record label’s capitalist idea of how easy-to-sell-music has to sound. This, to a larger or a smaller extent, might block the creative process of many artists outside mainstream. The dominance of those giants also makes it hard to nearly impossible for smaller companies to compete with this well-established market. Furthermore, those four big companies are in charge of constituting a price for music and are therefore also responsible for the amount of money artists are paid. Pessimists might argue that, as a result, the music industry has been boiling with/in the same water ever since and will most possibly continue to do so, acting upon the same principles in order to increase profits.
Question 5) Do you think the Internet as a technology helps or hurts musical artists? Why do so many contemporary musical performers differ in their opinions about the Internet?
I think the Internet does very much both, help and hurt musical artists at the same time. In my opinion, it really differs from artist to artist, concerning the fan base they have already established. I guess that loyal fans will always go and buy their idol’s record either in stores or via iTunes, instead of simply downloading it from the Internet illegally and for free. In terms of musicians who are not already known inside a scene, it might be different as they have not yet a community of fans to call their own. Portals such as Youtube might harm unknown artists’ record sales as they enable users to listen to whole albums online for free.
On the other hand, there is no larger thing than the Internet in terms of publicity—especially for artists who are still “nameless”, social media presents a great base for sharing unknown musicians via the Internet. Also Spotify is a good means for artists in order to get a start in the business. Additionally, Spotify also pays artists for hits they get on the platform.
Furthermore, in recent times, the revolutionary notion of crowdfunding as lately practiced by one of my favourite artists, Amanda Palmer (http://www.kickstarter.com/projects/amandapalmer/amanda-palmer-the-new-record-art-book-and-tour), of course, has its base on the Internet. This way of funding one’s art work is based on donations and financial support that fans/internet users are willing to pay in order for a certain work to be produced. Amanda herself calls this method the “future of music”, which will make artists able to act independently from any labels whatsoever.